This month’s cover story is an interview with CARTER BURWELL, who discusses his work for Joel (and not Ethan) Coen on THE TRAGEDY OF MACBETH. The December edition of FSM ONLINE - officially our biggest of all time - is now live for your reading and listening pleasure. Toy Soldiers - Robert Folk - Intrada Special Collection Masada - Jerry Goldsmith, Morton Stevens - Intrada Special Collection Quartet has announced four new end-of-year releases - THE PINK PANTHER FINAL CHAPTERS COLLECTION, a 3-disc set featuring Henry Mancini's scores for the three final three Blake Edwards-directed Pink Panther movies: TRAIL OF THE PINK PANTHER, CURSE OF THE PINK PANTHER (both previously released) and an expanded version of SON OF THE PINK PANTHER, the final film for both Mancini and Edwards a two-disc, expanded version of Nino Rota's score for Federico Fellini's IL BIDONE ( The Swindle) a remastered, slightly expanded release of John Barry's brief but popular score for ZULU and a remastered 50th anniversary edition of Ennio Morricone's score for MADDALENA, which introduced his popular "Chi Mai" theme.Īnemos/Una Sconosciuta - Pino Donaggio - QuartetĬlifford the Big Red Dog - John Debney - Intrada Intrada has announced three new releases - a four-disc set of the Emmy winning score for the miniseries MASADA, composed by Jerry Goldsmith and Morton Stevens, featuring an expanded and remastered version of the original score tracks as well as the LP rerecording John Debney's score for the recently released feature film version of CLIFFORD THE BIG RED DOG and a remastered and slightly expanded release of Robert Folk's score for the teen thriller TOY SOLDIERS.
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250 Golden and Silver Age Classics on CD from 1996-2013! Exclusive distribution by SCREEN ARCHIVES ENTERTAINMENT.ĭroning on for a 2½-hour plus run time that’s never justified, the 25th Eon James Bond film NO TIME TO DIE (163 mins., 2021, PG-13 Universal)– the long-delayed conclusion in the Daniel Craig 007 “cycle” – is marked by routine, forgettable action, a lack of wit, and finally, an ending that’s intentionally “controversial” and seems to confirm what director Danny Boyle hinted years ago when he walked off the picture: that this was less a James Bond movie than a Craig therapy session.
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